Enjoy the video!
Highlights!
1. Jeffrey Hutchinson Fay Prints a Giant Woodcut with BIGINK
2. Alexander Puz Translates his Oil Painting into Print
Towards a Non-subjectivist Painting Practice
-
Paintings are wall hung, pigment bearing surfaces
-
Painting is the representation of 3-Dimensional space on a 2-Dimensional support
-
A painting is looked in to, not at, around, or through; Paintings are frontal portals
-
Painting does not include 3-Dimensional attachments, sculptural elements or relief
-
Painting does not need to be plugged in or have electrical elements
-
Paintings are self referential; maximum clarity of intent determines discursive achievement
-
Edges, Scale, Value, and lapping define space and priority
-
Systems develop painting and vice versa (concept = motif)
-
Painting size determines audience thus scope (murals = social, easel size = individual)
-
Paintings are rapidly, analytically comprehended; they are instantaneously and intuitively understood
-
Painting is the widest frame for exploration ideas through art [due to its historically and culturally understood status as art]
-
The elements of painting are color, texture, space, value and line. The qualifiers for these elements of painting require them to be indexical, symbolic and a signal (it is what is, represents what it is, and indicates what it is)
-
Paintings occur when witnessed therefore the experience of a painting is ahistorical and non-narrative. Paintings describe a spatiotemporal situation.
-
Painting is intellectual (not emotional) labor and are executed not improvised. [this is due to a paintings status as autonomous object, paintings are not placeholders for the subjective psychology of the artist]
-
Painting is fundamentally abstract and non referential, dealing with ontological elements assembled to create novel situations of thought
3. Ariana Prado Creates LMP's first drypoint
Ariana Prado, a Bronx based artist, depicts a culture poised between New York City and Mexico by drawing on inspiration of memories and photography from her family. Food and family portraits are her most common subjects and wonderfully describe a place, her life, which she graciously invites us into.
"La Casa de Quiote" is a drypoint, a form of intaglio printmaking, created by scratching into a metal plate to create a design. Ink is then put on the plate, and then wiped away. Where the scratching indented the plate, ink gets stuck, and then is transferred to paper on an etching press.
4. Guimi You and LMP Translate Her Oil Painting into a Reduction Woodcut
Guimi You is from Seoul, Korea, and lives and works in New York. She collaborated with us on a new reduction woodcut based off of one of her paintings of a playground. A Reduction woodcut is a relief printing process that uses one block of wood, with sections carved away and printed between each state. The result is a surface that is layered with color and very harmonious because it is all from the same design. Here are the two side by side (oil on left, woodcut on right).
5. Diego Espaillat Interprets his Studio
Thank you to all the artists who have worked with us this past year!
Adam Niklewicz, Alex Puz, Ariana Prado, Christopher O'Flaherty, Daniel Eugene, Deborah Weiss, Guimi You, Helen Cantrell, Jason Toy, Jeffrey Hutchinson Fay, Julia DePinto, John O'Donnell, Kevin Corrado, Kieran Tiere Thomas, LeeAnn Dicicco, Magdalena Pawlowski, Meredith Miller, Michael Angelis, Nina Jordan, Robert DiMatteo, Stefan Batista